A chipped
ceramic pot of dune,
faded blue
and white,
sits like a
scruffy buddha
at the foot
of my disheveled bed.
Purple
grass, untidy with seed;
tiny purple
daisies,
their
blooms corrugated,
making dry
stipples;
sherds of
water-softened glass
littering
the soil.
On nights
when there is no moon,
the
threadbare canvas of my room…
Silent
gulls carved from pine
could
almost blink.
A crooked
feather might ruffle.
Heat, and
the thrum of misplaced frogs
in the
sedges;
two dingy
windows ajar
letting in
an algae-blue light;
the open
sky above the big blackwood
the colour
of a breath,
sweet and
awry and unhurried.
Sometimes,
the night air was a lazy drug
when I
needed it most-
the night
air rocked me with a musky sleep,
cradled me
on a sweeping arc,
levitated
me on a current of lusciousness.
Bare arms
above the covers,
I dozed,
dazed by the snail-trail
silvered
touch of the cool.
Kookaburras,
there must be three!
They incant
at the unripe greening of the sky,
their mantra
filling the blackwood tree with ink.
The geese
up the way rehearse
and trumpet
their evening prayers,
where they
all squat to face their feather-flurried ground.
Night
falls, crashing into a thousand silent pieces.
Now, all
sounds are ricochets
within the
creaking walls of this house;
now, the
whole world is held inside
the
windows’ weird reflections.
Taylor Camp, Hippie Utopia, 1969
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